Use competitons as deadlines

Find short-story, flash fiction or even novel competitions and commit to entering them. They provide invaluable deadlines and offer the additional advantage of keeping the manuscript you have submitted off your desk for weeks or even months.

By the time you learn that you didn’t win the competition, you will be ready to revisit your submission with a fresh eye. Your edits will improve it, and you will have a piece of fiction ready for submission elsewhere.

And if you do win… well, that is always a nice thing, too.

Note: Many writing competitions now include entry fees. If these fees seem to be appropriate — a reasonable sum to cover administration costs and an honorarium for judges–don’t let them discourage you from entering. More and more literary journals are using such contests to help defray operating costs, which makes good sense. In most cases the fee will cover a copy of the journal or a one-year subscription in addition to the opportunity to enter. The key word here is “appropriate.” Some competitions charge excessively and their only purpose is to make money for the organizers. Caveat emptor.

Keeping track of days and dates in fiction

Keep a file in which you note the dates of your characters’ births and any particularly relevant events in their lives, such as their marriages, or the deaths of family members. A file or chart of names and dates helps you orient yourself consistently, so that you don’t inadvertently refer to one event in 1987 as having taken place when the narrator was five, and another in the same year as having taken place when he was seven.

Also keep track of the dates in the current time frame of your story. If it is spring one week, even with climate change it is unlikely to be mid-winter the next. If your character’s sister breaks her leg at Thanksgiving, the healing process will probably extend into any Christmas scenes you may want to depict.

Especially with supporting characters, authors can lose track of time and place, and errors can be overlooked by editors as well. Sharp readers will be distracted from the story by such mistakes, and after they do it takes time to get their concentration back again.

Names of characters

The names of major characters in a work of fiction need to be distinctive from one another, particularly when the characters are of the same gender. If Susie and Sarah, or Bob and Bill, or Mary Jane and a Maryanne appear in the same stories, readers can become confused. Even somewhat similar names, such as Phoebe and Phaedra, can cause some readers to have to stop and think about which one is which.

Help your readers by ensuring that the first letters of your characters’ first names are different, and if possible also vary the number of syllables in the names of major characters. Use Bob Marquist and Harold Smith rather than Bob Jones and Tom Smith.